From The pandorian - Simen Johan: Evidence of things unseen

From The Pandorian

Photo by :

Simen Johan



Kamil Vojnar

Photo

by

Kamil Vojnar

Joachim with wings

Long dream

New departure

Open sea

skuggor ‏ by Mats Andersson

Mats Andersson

My work ~ models by Martina Škrobot

Photo

by

Martina Škrobot

Rust, silence and teardrops by Kjetil Karlsen

Photo

by:

Kjetil Karlsen

Soul by Malin Hellesø

Malin Hellesø

http://malinhelleso.wordpress.com/

Sonia Grib

Photo by

Sonia Grib

Roger Ballen currently has a retrospective exhibition at the Stenersen Museum in Oslo

Roger Ballen currently has a retrospective exhibition at the Stenersen Museum in Oslo (www.stenersen.museum.no).
The exhibition will be on view till the 23rd of January, and consists of photographs from the 'Boarding House' series, the 'Outland' series, the 'Shadow Chamber' series. A film - and also 4 images from his most recent body of work, 'The Asylum' are also presented in the show.... enjoy...

ellen-k FINE ART PHOTOGRAPHY

www.ellen-k.no

Roger Ballen Title: Twirling Wires Size: 40*40 cm Limited edition of 20. 16+ sold, POR. Courtesy ellen-k FINE ART PHOTOGRAPHY

Roger Ballen Title: Cascets, 2004 (0932 - 20) Size: 50*50 cm Limited edition of 10. Courtesy ellen-k FINE ART PHOTOGRAPHY

Roger Ballen Title: Culmination, 2007, 1174 Size: 80*80 cm Limited edition of 10. Courtesy ellen-k FINE ART PHOTOGRAPHY

Roger Ballen Title: Lunchtime, 2001 Size: 40*40 cm Limited edition of 20. 16+ sold, POR. Courtesy ellen-k FINE ART PHOTOGRAPHY

Roger Ballen Title: Puppies in Fishtanks, 2000 Size: 40*40 cm Limited edition of 35. Sold 16+ POR. Courtesy ellen-k FINE ART PHOTOGRAPHY

Roger Ballen Title: Tommy, Samson and a mask Size: 40*40 cm Limited edition of 35. Sold 25+ POR. Courtesy ellen-k FINE ART PHOTOGRAPHY

Roger Ballen Title: Sergeant F. de Bruin, Department of Prisons employee, OFS, 1992 Size: 40*40 cm Limited edition of 35. 25+ sold, POR. Courtesy ellen-k FINE ART PHOTOGRAPHY

Roger Ballen Title: Dresie and Casie, Twins, Western Transval 1993 Size: 40*40 cm Limited edition of 35. POR. Courtesy ellen-k FINE ART PHOTOGRAPHY

Roger Ballen currently has a retrospective exhibition at the Stenersen Museum in Oslo (www.stenersen.museum.no).
The exhibition will be on view till the 23rd of January, and consists of photographs from the 'Boarding House' series, the 'Outland' series, the 'Shadow Chamber' series. A film - and also 4 images from his most recent body of work, 'The Asylum' are also presented in the show.... enjoy...

Roger Ballen (1950), was born in New York City and has lived and worked in Johannesburg, South Africa, for 30 years. His interest in photography dates to when his mother worked as a photo editor with Magnum Photos in New York, and teenager Ballen befriended the likes of Henri Cartier-Bresson, Bruce Davidson, and Elliott Erwitt.

For many years Ballen worked as a geologist while documenting the small villages of rural South Africa and their isolated inhabitants. Over the past few years Ballen has had well over 100 exhibitions worldwide, including solo shows at the Bibliothèque Nationale de France, New York’s Gagosian Gallery, and Toronto’s Clint Roenisch Gallery. Ballens work is  included in some 30 different museum collections.

Boarding House shows an imaginary space of transient residence, of coming and goings, of people sheltering in a strange place they are using for their immediate survival, furnished with objects that are necessarily for an elementary existence as well as mysterious items whose significance is impossible to discern. In the theme of his other photography projects, Boarding House emphasizes the absence of human presence and shows obscured bodies, animals and hand-drawn faces whose minimal identifying characteristics initiate an immediate, visceral response. “It is difficult to explain this place,” Ballen said, “except that I think it exists in some way or another in most people’s mind.”

In reviewing Ballen’s work , American Photo noted his “rich, penetrating vision” and that he has “developed a style of image-making that is firmly rooted in the documentary tradition of the great mid-century storytellers.” Art in America called his photographs “Stark, visceral images that hark back to vintage Walker Evans and also have some of the surreal strangeness of Diane Arbus’s portraits of social misfits.”

Enjoy this audio interview at LensCulture

ellen-k syverstad | +47 9133 2343

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